Media City Ballet of Los Angeles - Ballet Information

Why are the Arts so Important?

2009-05-31T21:02:00.000-07:00

Feeling Human Again...
My wife (who is the president of Media City Ballet) will be speaking to the Burbank City Council about the importance of the arts to the community and the need for the city to support the arts. She has asked me to give her some of my thoughts on the subject.

Before starting on why the arts are important, I think it is important to be clear as to what one is asking of the city. Obviously, with the financial situation being what it is today, increasing public funding for the arts is not an option. The focus of arts support has been on money for so long that it is hard to think of what else we want. What can our community leaders do to aid the arts?

Be there. Be vocal. Be involved. When business leaders or politicians attend arts events they communicate to the public that the arts affect them in deep and meaningful ways. When they speak publicly on the their personal experiences with the arts, they demonstrate the importance of the arts to the community. When they volunteer to paint sets, sell tickets, or host arts gatherings they clearly show that they value the arts.

Why are the arts important? What's so special about culture? Why should I really care if our community has a symphony orchestra or a theatre group? For us involved in the arts, these are sometimes a hard questions to answer because the arts are such an essential part of our being. There are so many reasons, that it is hard to pick just a few that would be meaningful to those not so directly tied to the arts. But let me try two approaches: a metaphor and a story.

I like fast food - In and Out burgers, Jack In the Box fajita pitas, Taco Bell burritos. It's quick, easy, inexpensive, and enjoyable. OK, fast food clogs my arteries, packs on pounds, and has dubious nutritional value, but there are times when it is just the thing. But there are other times when I want something more, a fine dining experience - a quiet setting, a special ambience, and high quality food prepared by a talented chef. Yes, I will pay more for this, but it is worth it for those occasions or gatherings that I want to be special.

And, in a way, so it is with the arts. Like fast food, we are surrounded by pop culture - a rock song playing on someone's car radio, storefront ads with flashy graphics, and the latest hit movie with an abundance of special effects, hot looking stars, and wild car chases. All well and good. Pop culture is quick, easy, inexpensive, and enjoyable, and there are times when it is just the right thing.

But there are times when we want something more. Yet, it is hard to say exactly what that "more" is. As an artist (musician) I've struggled to find the perfect answer. What is art? What's so special about Mozart? Why do we need "high culture" anyway, isn't that just for snobs?

The best answer was given to me by a former student.

For the first half of my career I taught guitar, choir and music appreciation in a junior high school in East Los Angeles. One day after school a young man came into my classroom.

"Hey, Mr. Pease. Remember me? I was in your guitar class about five years ago."

Now, I'm bad at names with my current students. With a former students who was a child when I had him and now is a man, I was helplessly lost. I studied his face praying for a clue and frantically searched my mental database for names. He must have seen my anxiety.

"That's OK. I sat in the back of your guitar class, and I was a pretty quiet kid."

Ah, saved by his kindness. I hope I gave him a good grade.

He continued, "I thought I'd come by and just say thanks for all you taught me about classical music. I work in an auto supply shop now. It's hard work. I'm on my feet twelve hours a day. My boss is mean and the customers are demanding. When I get home I am exhausted. I can barely eat my dinner. But then I put on some classical music and do nothing but just listen to it for about an hour. And after that, I feel human again."

"I feel human again." It's almost a cliche, but it stuck with me. That is what the arts do. They make us feel human again. They remind us of our humanity. They capture the whole range of human experience and help us explore it's meaning. The arts are shared by each of us on an intimate level that communicates the feelings, needs, and dreams of all of us.

Artists have always believed that we are affected by the arts. They touch our emotions, excite our imaginations, and inspire us to action. We have always sensed that. But now science is able to show us how this happens at a neurological level. Brain chemistry and actual brain structure is changed. This is not simply "touchy feely" fluff. This is real change. And we are now just beginning to see a host of collateral benefits from the arts - causations and correlations that suggest that the arts make us smarter, happier, and more creative.

I am an artist. For me, "Art for art's sake." But if you have not arrived there yet, go ahead and consider those side benefits. I believe that after a little time being involved with the arts, you too will not need any offshoot justifications. The arts will be your fine dining for the soul, and need no other reason for being.

So, getting back to what you can do for the arts...

Be there. Not because you have to, not because it's supposed to be good for you, not because it is some community obligation like taxes. Be there because the arts will touch your humanity in a unique and special way.

Be vocal. Not because it is good PR, not because it will make you look cultured, not because it will keep the arts community off your back for a few weeks. Be vocal because when the arts reminded us of our own humanity, it is easier to recognize that same humanity in our neighbor.

Be involved. Not because you will make important business contacts, not because you can do a little side politicking, not because it looks good. Be involved because you believe in the intrinsic value of the arts and are therefore willing to work to ensure that they continue to play a vital role in the community.

Lastly, one challenge. Be an artist. Einstein was a violinist, Václav Havel, the president of the Czech Republic is a playwright, Leonardo da Vinci was an engineer, inventor, scientist, and not a bad painter and sculptor, Ronald Reagan did a little acting, Emmitt Smith, the football player, turned out to be a good dancer as well, and Bill Clinton played a pretty mean sax. Why not you? Take some art or photography classes at a community college. Really learn to play that guitar that's been sitting in the closet for the last few years, and that piano in your living room is good for more than just holding pictures. Join a theatre group, or take some dance lessons. You don't need to be great, you just need to be doing it.

There is no greater way to experience the arts than to be part of the arts. There is no greater statement of support for the arts than to be an artist.

CALENDAR

June 8, 2009: "Swing for the Arts - Angeles National Golf Classic", http://www.mediacityballet.org/

BALLERINA SECRETS

Want to achieving total control over all your movements? Always practice letting go of the barre and test yourself constantly. Don't depend on the barre at all.

Author: Tom Pease

The Ballet Russe: Paul Maure - 84 yrs old - Interview

2009-05-14T15:58:00.000-07:00

He'll be 84 soon and still DANCES....

Paul Maure has danced leading roles with the Grand Ballet de Monte Carlo, the Marquis de Cuevas Ballet, Pacifica Ballet of Laguna Beach and with Santa Monica Civic Ballet, among others. He has worked with some of the greatest choreographers in the world, including: Leonide Massine, George Balanchine, David Lichine, Bronislava Nijinska, Maurice Bejart, Paul Goube, Nicolas Svereff, Gustave Ricaux, Harold Lander and Serge Lifar. He has partnered with renowned ballerinas like: Lycette Darsonval of the Paris Opera, Cynthia Gregory, Janine Charrat, Josette Clavier and Ludmilla Tcherina, to name a few. Born in Marseille, France, Maure has taught ballet for the Centre de Danse in Salle Pleyel Paris, France, University of California in Riverside, Ballet Pacifica in Laguna Beach, Los Angeles Dance Center, Ambassador College in Pasadena and Le Lycee Français de Los Angeles, among others. Maure has also choreographed for the television shows, Fantasy Island and Columbo. He was recently one of the dancers honored in Media City Ballet's production of Men of the Ballet Russe.

He will be 84 this year and still teaches class many times a week. I take his class every Tuesday and he always has a beautiful smile. His barre is great but his centre work is so much fun. Filled with pirouettes, fouettes and jumps galore. We work so hard for him - he's such an inspiration. He demands that we PERFORM in class with feeling and passion. And we do, because after all we are in the presence of one of the Men of the Ballet Russe.

Here's a two part interview he did when he was almost 80 years old. Pictures from his days with the Ballet Russe De Monte Carlo and even the Moulin Rouge!! This is never seen before treasure.

CALENDAR

May 28, 2009: "Tango, Tonight" @ Woody's Cafe, Woodbury University Burbank, CA (818) 972-9692
June 8, 2009: "Swing for the Arts - Angeles National Golf Classic", http://www.mediacityballet.org/

BALLERINA SECRETS

Photoshoot Opp? Make sure to give yourself a class as warm up before taking your pics. Your lines and balance will be superb on your still shots! And you'll avoid injury and possibly pulling muscles while trying to pose.

DANCER of the MONTH

NEW!! Please send in your nominations to mcbofla@yahoo.com or comment this blog!
Name:

Zodiac:

Company:

Favorite Ballet:

Favorite Ballet Danced:

Pointe Shoes:

Amazing Teacher(s):

Worse Habits:

One Wish:

Something Personal:

Best Feature:

Editor: Raquel Cordova

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2009-05-10T12:49:00.001-07:00

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CALENDAR

May 28, 2009: "Tango, Tonight" @ Woody's Cafe, Woodbury University Burbank, CA (818) 972-9692
June 8, 2009: "Swing for the Arts - Angeles National Golf Classic", http://www.mediacityballet.org/

BALLERINA SECRETS
Text Here...(Some tid-bits or pieces of advice from dancers.
Keep it short.

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DANCER of the MONTH

Name:

Zodiac:

Company:

Favorite Ballet:

Favorite Ballet Danced:

Pointe Shoes:

Amazing Teacher(s):

Worse Habits:

One Wish:

Something Personal:

Best Feature:

BALLET HISTORY 101

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Editor: Karen

TANGO, TONIGHT!

2009-04-07T20:29:00.000-07:00

Media City Ballet of Los Angeles in association with Woodbury University Presents

Miriam Larici & Leonardo Barrionuevo

"SuperStars of Dance" Best Couple Winners in
TANGO, TONIGHT!

An Evening of Tango with theWorld's Leading Tango Dance Masters
One Night Only!!!Thursday, May 28, 2009 from 6:30 - 10:30 p.m.The New Woody's Café at Woodbury University7500 Glenoaks Avenue, Burbank, CA 91510
Early Bird Tickets-Before April 30, 2009$60 per person • $110 per coupleRegular Ticket Prices are:$70 per person • $130 per coupleTickets available online HERE

Learn to dance the Tango in a Master Class with Miriam Larici & Leonardo Barrionuevo!!Wine and Hors d'oeuvres Reception • Argentinean themed cuisine dinner catered by Bon Appétit and a Performance by the Dance Masters themselves!

No Host Bar • Silent Auction/RafflesLimited Seating • Reservations due by May 14, 2009 • Free Parking • Evening Attire • For more information call 818.972.9692

A Dancer's Work

2009-04-07T13:19:00.000-07:00

Do we always need a reason or story behind our artistic creations? Some choreographers create based on personal experience, while others just want to create movements without a story-line.

Stay tuned...you will hear what was behind each creation from the choreographer themselves.

Choreography for Dancers

2009-02-12T17:34:00.000-08:00

Choreography is a natural part in the danceworld. We all choreograph in some scale. But on March 8th, MCB dancers will showcase their hardwork and talents. Four company members will choreograph pieces for the rest of the company. As well as dance classical variations. This is a fund raiser for the company and will be held in-studio with a reception serving Wine and Cheese. Don't miss it.

Visions of Dance - Ballet Captured in Photography

2009-01-15T15:47:00.000-08:00

A collection of ballet pictures that were photographed by Olga Ivanova and Tom Pease.

Pictures can take you back to that exact moment, bringing back memories you felt and things you did. Unlike video footage, pictures allow us to take them everywhere so that we can pull them out wherever we are and reminisce or daydream a little.

These still shots capture the movement and excitement of our dancers. And someday they will be shown to their children and grandchildren with stories of being on stage, rehearsing endless hours and the friendship created along the way.

What memories do you like to relive while looking at an recent or old album?

Dancers Backstage

2008-12-08T14:57:00.000-08:00

On December 6th & 7th of 2008, Media City Ballet of Los Angeles presented a spectacular and very entertaining Nutcracker. With a nearly sold out season, MCB continues to WOW the audience.

Each dancer has their own routine before performing. Some immediately start warming up, while others calmly set up their costumes and head pieces. Some do their make-up and some will pace the halls to calm their nervous...or shall I say - EXCITEMENT.

I saw all kinds of "routines". Enthusiastic dancers taking pictures left and right for their blogs or myspace, while another girl sat in the corner massaging icy-hot on her tendons. Jet glue was applied to pointe shoes, rozin was laid out, leg warmers were piled on as the minutes ticked away before curtain.

I asked the dancers what they do or feel right before performing and they replied,
"I breath" - Melissa McComas
"I visualize what I do on stage before I go on" - Emily Morrow
"I feel nervous, but then once I'm on the floor - I feel like I'm HOME" - Raquel Cordova
"Nervous and Excited" -Andee Tims
"Have a little bit of PLAYTIME" - Selkie Hom
"I don't want to disappoint myself or my family and friend that come to watch me". - Carrie Lee Riggins

Enjoy MCB's footage our Dancers Backstage

Performance Gitters

2008-12-04T14:32:00.000-08:00

"There is such a difference when you're dancing to music you really love, when there is this meeting of music and dancer that fuses into one. Those are the experiences we live for." Alicia Alonso

MCB will be rehearsing at the Alex Theatre in Glendale tomorrow! Stay tuned for footage of what dancers feel right before a performance, how they warm up and much more.

What do I feel before performing? Nerves that make my teeth chatter. My hands sweat and feel cold and my heart beats so fast, it makes my body vibrate. I hear the music but the nerves continue. I take a deep breath, stand up straight, stick in my stomach and run on stage (with pointed feet of course)...the nerves are gone - I'm home - I feel....peace.

MCB's Ballet Russes

2008-11-25T17:18:00.000-08:00

Media City Ballet of Los Angeles is directed by Natasha Middleton with Associate Director, Ruben Tonoyan. MCB of LA is dedicated to providing Los Angeles and the surrounding communities with quality live ballet productions, utilizing the inspired and creative talents of the local community, as well as professionals from around the world.

MCB of LA is the only ballet company in Los Angeles presenting performances in the tradition and philosophy of the legendary Ballet Russe de Serge Diaghilev. Natasha Middleton’s grandmother, Elena Wortova, was a Soloist in the original Ballet Russe, which included other legendary dancers like Anna Pavlova, George Balanchine, Alexandra Danilova and Vaslav Nijinsky. Middleton’s father, Andrei Tremaine, was a Principal Dancer with the Ballet Russe de Monte Carlo, and Soloist with the Ballet Nacional de Mexico and the Colon Opera Ballet of Buenos Aires. Natasha Middleton, a “Ballet Russe Baby,” was a Principal Dancer for her father’s ballet company, Pacific Ballet Theatre, as well as a member of the Joffrey II Ballet Company in New York City, before taking on the responsibilities of Artistic Director for Media City Ballet Company.

Ruben Tonoyan, Associate Director, was a Soloist with the Armenian National Opera Ballet for 23 years. He began his training at the age of eight with the Armenian National Academy of Ballet. He continued his training at the Kirov Ballet School and the Vaganova Academy in St. Petersburg, Russia. After graduation, he returned to his native Armenia where he danced numerous ballets including the leading role in Khachaturian's Gayne. He has since toured around the world performing in such ballets as Giselle, Carmen, Swan Lake, Otello and The Nutcracker. He has also performed with the National TV Contemporary Ballet for about ten years.

QUESTION:
Tell us about your experiences with the Ballet Russes. What was your first experience? Were you a former member, were you trained by a member? Which ballets were your favorite and which ballets would you like to see again?